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CELTIC POETRY. |
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white, round-knotted knee. Over that mantle he put on a full, strong, white-topped, wide-round, gold-bordered, straight, and parti-colored coat of mail, well-fitted, and ornamented with many curious devices of exquisite workmanship. He put on a beautiful, thick, and saffron-colored belt of war, embellished with clasps and buckles set with precious stones, and hung with golden tassels; to this belt was hung his active and trusty lance, regularly cased in a tubic sheath, but that it was somewhat greater in height than the height of the sheath; he squeezed the brilliant, gilt, and starry belt about the coat of mail; and a long, blue-edged, bright-steeled, sharp-pointed, broad-sided, active, white-backed, half-polished, monstrous, smooth-bladed, small-thick, and well-fashioned dagger was fixed to the tie of that embroidered and parti-colored belt; a white, embroidered, full-wide, strong, and well-wove hood was put on him over his golden mail; he himself laid on his head a strong-cased, spherical, towering, polished-shining, branch-engraved, long-enduring helmet; he took his edged, smooth-bladed, letter-graved, destructive, sharp-pointed, fight-taming, sheathed, gold-guarded, and girded sword, which he tied fast in haste to his side."
The confusion which exists in the transcripts of the ancient poems between the pagan mythology and the Christian faith, and the superposition of |
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